Reaching up out of
nothing
is a hand—
cold, white, forged
from marble.
A massive nest is
disrupting the
universe
and holding it
all
at once.
Within this large
embrace are
two figures,
faceless and intertwined.
Their unfinished features
with their
endlessly
possible outcomes
are embedded
in this hopeful stone.
They are a
work in progress.
Frozen in this stony
moment, they are
not yet the curse
they are destined to become.
And the same for the
mighty hand
which holds them.
This, the very hand
of God,
protruding up
from the unformed
earth is left
unfinished
by the artist.
Auguste Rodin (French, Paris 1840–1917 Meudon)
The Hand of God, modeled ca. 1896–1902, commissioned 1906, carved ca. 1907
French,
Marble; H. 29 in. (73.7 cm.); W. 23 in. (58.4 cm.); D. 25-1/4 in. (64.1 cm.); Weight on pallet: 574 lbs
The Metropolitan Museum of Art, New York, Gift of Edward D. Adams, 1908 (08.210)
http://www.metmuseum.org/Collections/search-the-collections/191046
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