Reaching up out of nothing is a hand— cold, white, forged from marble. A massive nest is disrupting the universe and holding it all at once.
Within this large embrace are two figures, faceless and intertwined. Their unfinished features with their endlessly possible outcomes are embedded in this hopeful stone. They are a work in progress.
Frozen in this stony moment, they are not yet the curse they are destined to become.
And the same for the mighty hand which holds them. This, the very hand of God, protruding up from the unformed earth is left unfinished by the artist.
Auguste Rodin (French, Paris 1840–1917 Meudon)
The Hand of God, modeled ca. 1896–1902, commissioned 1906, carved ca. 1907
French,
Marble; H. 29 in. (73.7 cm.); W. 23 in. (58.4 cm.); D. 25-1/4 in. (64.1 cm.); Weight on pallet: 574 lbs
The Metropolitan Museum of Art, New York, Gift of Edward D. Adams, 1908 (08.210)
http://www.metmuseum.org/Collections/search-the-collections/191046
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